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For the discussion and appreciation of the traditional Aboriginal didgeridoo and 'Top End' Indigenous culture.
 
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 Post subject: Didj acoustics research at UNSW
PostPosted: Fri May 14, 2010 8:37 pm 
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Just chanced across this totally and utterly interesting site this morning (part of it was reproduced on the dreamtime W3 server)... http://www.phys.unsw.edu.au/jw/didjeridu.html

Loads of stuff here - research papers, soundclips, AVI etc for both the layperson and acoustics nutcase! The downside for me personally is that soundclips/AVI presented (and presumably the basis for analysis) are only of Alex Tarnopolsky and Lloyd Hollenberg; two members of UNSW who play typical balanda style (though that's good news for most didj-heads!). Benjamin Lange, one of the authors and a trad Yirdaki playing member of the Mara people (Central Arnhem Land up near Katherine) appears in loads of photos but I don't think his sound was analysed for comparison which, if he's on the money, is a massive oversight!

Despite this I reckon it's worth making a fresh pot of tea and opening a new packet of biscuits to aid in digestion of the material :-)

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 Post subject: Re: Didj acoustics research at UNSW
PostPosted: Fri May 14, 2010 11:37 pm 
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Correction!

Just read their paper in detail (J. Acoust. Soc. Am. Vol 119, No 2) and Benjamin Lange WAS included in the main experimentation and analysis. The downer is that a 1.21 metre length of PVC pipe was used as the instrument, which is good news for you plastic-heads :-)

Also, there is an interesting finding in figure 5 of this paper - the crux of their hypothesis! - which makes Lange stand out from the two balanda-style players when using a high tongue position (though this is not discussed!). If I understand this correctly, unlike both balanda players, a clear vocal tract impedence maximum could not be discerned for Lange, which is curious given the restriction made by the tongue. This suggests Lange was compensating to keep mouth air pressure constant regardless of tongue position, whereas both balandas allowed pressure to vary (didn't Guan drum this into us years ago? :-) ). Vocal tract impedence was measured on one breath, so CB differences cannot account for this.

It's a shame more measurements weren't done for Lange, otherwise we'd have also been able to speculate on the spread of data points for both balanda players as opposed to the apparently close-knit group for Lange, but that would require a second packet of biscuits...

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 Post subject: Re: Didj acoustics research at UNSW
PostPosted: Sun May 16, 2010 1:36 pm 
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It'll be interesting to hear Lange play traditional style... are there any links to sound samples?

Guan

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 Post subject: Re: Didj acoustics research at UNSW
PostPosted: Sun May 16, 2010 8:14 pm 
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Hi Guan - it will indeed, no sound samples though. After reading all papers and surfing every bit of the site I'm left with the feeling that a huge amount of effort has produced very little of substance!

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 Post subject: Re: Didj acoustics research at UNSW
PostPosted: Mon May 17, 2010 4:35 pm 
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Hi Dave,

The project had big research funds behind it and I guess the focus was really on acoustics physics rather than culture. If the project was serious about culture, they would have sampled a lot more traditional players... I don't think Lange's playing could really be described as traditional in the sense of what we are used to hearing in Arnhem Land despite his Mara heritage.

Guan

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