kdidj wrote:
That sure is an old school instrument in terms of proportion! His playing reminds me very much of Larry's.
Hey Kyle, you're right about the instrument. It isn't a big powerful beast and is modest in its proportions and acoustic output. I learnt something new from Laga which I'm very happy about as I don't think I've picked up any tips for years. Surprisingly, I was practising yesterday and managed to find that magical sweet spot, the way the tongue is positioned and everything else is held together in its proper place to get those lovely tongued accents and other sounds that Laga and other yi
dakimirr achieve. Laga actually said that to get the required speed, the tongue should be
yalnggi (soft), something I've taken aboard. But this morning I've lost it again and need to revisit what I was doing right yesterday...
Also, to get the correct tongued accents, the abdomen must be tight, a bit like how singers tense up their abs and project from there.
The thing about this style of playing is that it works beautifully with most sorts of yi
daki. The hard tongue style seems more suited to conical bores and powerful high-back pressure instruments.
Anyway, hopefully I can write something in the techniques section soon. I'm very excited at having met Laga as he has tremendous knowledge and is good at explaining technique. His style, especially the introductory parts where he doesn't breathe for the first 6-8 seconds with rat-a-tat-tat machine gun fire is called
djaykulung style... it is tricky with neat syncopations, reverse rhythms, going round and round...
Guan